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LEVIATHAN
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第1章
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NATURE(theartwherebyGodhathmadeandgovernstheworld)isbytheartofman,asinmanyotherthings,sointhisalsoimitated,thatitcanmakeanartificialanimal。Forseeinglifeisbutamotionoflimbs,thebeginningwhereofisinsomeprincipalpartwithin,whymaywenotsaythatallautomata(enginesthatmovethemselvesbyspringsandwheelsasdothawatch)haveanartificiallife?Forwhatistheheart,butaspring;andthenerves,butsomanystrings;andthejoints,butsomanywheels,givingmotiontothewholebody,suchaswasintendedbytheArtificer?Artgoesyetfurther,imitatingthatrationalandmostexcellentworkofNature,man。ForbyartiscreatedthatgreatLEVIATHANcalledaCOMMONWEALTH,orSTATE(inLatin,CIVITAS),whichisbutanartificialman,thoughofgreaterstatureandstrengththanthenatural,forwhoseprotectionanddefenceitwasintended;andinwhichthesovereigntyisanartificialsoul,asgivinglifeandmotiontothewholebody;themagistratesandotherofficersofjudicatureandexecution,artificialjoints;rewardandpunishment(bywhichfastenedtotheseatofthesovereignty,everyjointandmemberismovedtoperformhisduty)

arethenerves,thatdothesameinthebodynatural;thewealthandrichesofalltheparticularmembersarethestrength;saluspopuli(thepeople’ssafety)itsbusiness;counsellors,bywhomallthingsneedfulforittoknowaresuggesteduntoit,arethememory;equityandlaws,anartificialreasonandwill;concord,health;sedition,sickness;andcivilwar,death。Lastly,thepactsandcovenants,bywhichthepartsofthisbodypoliticwereatfirstmade,settogether,andunited,resemblethatfiat,ortheLetusmakeman,pronouncedbyGodintheCreation。

Todescribethenatureofthisartificialman,IwillconsiderFirst,thematterthereof,andtheartificer;bothwhichisman。

Secondly,how,andbywhatcovenantsitismade;whataretherightsandjustpowerorauthorityofasovereign;andwhatitisthatpreservethanddissolvethit。

Thirdly,whatisaChristianCommonwealth。

Lastly,whatistheKingdomofDarkness。

Concerningthefirst,thereisasayingmuchusurpedoflate,thatwisdomisacquired,notbyreadingofbooks,butofmen。

Consequentlywhereunto,thosepersons,thatforthemostpartcangivenootherproofofbeingwise,takegreatdelighttoshowwhattheythinktheyhavereadinmen,byuncharitablecensuresofoneanotherbehindtheirbacks。Butthereisanothersayingnotoflateunderstood,bywhichtheymightlearntrulytoreadoneanother,iftheywouldtakethepains;andthatis,Nosceteipsum,Readthyself:

whichwasnotmeant,asitisnowused,tocountenanceeitherthebarbarousstateofmeninpowertowardstheirinferiors,ortoencouragemenoflowdegreetoasaucybehaviourtowardstheirbetters;buttoteachusthatforthesimilitudeofthethoughtsandpassionsofoneman,tothethoughtsandpassionsofanother,whosoeverlookethintohimselfandconsiderethwhathedothwhenhedoesthink,opine,reason,hope,fear,etc。,anduponwhatgrounds;heshalltherebyreadandknowwhatarethethoughtsandpassionsofallothermenuponthelikeoccasions。Isaythesimilitudeofpassions,whicharethesameinallmen,-desire,fear,hope,etc。;

notthesimilitudeoftheobjectsofthepassions,whicharethethingsdesired,feared,hoped,etc。:forthesetheconstitutionindividual,andparticulareducation,dosovary,andtheyaresoeasytobekeptfromourknowledge,thatthecharactersofman’sheart,blottedandconfoundedastheyarewithdissembling,lying,counterfeiting,anderroneousdoctrines,arelegibleonlytohimthatsearchethhearts。Andthoughbymen’sactionswedodiscovertheirdesignsometimes;yettodoitwithoutcomparingthemwithourown,anddistinguishingallcircumstancesbywhichthecasemaycometobealtered,istodecipherwithoutakey,andbeforthemostpartdeceived,bytoomuchtrustorbytoomuchdiffidence,ashethatreadsishimselfagoodorevilman。

Butletonemanreadanotherbyhisactionsneversoperfectly,itserveshimonlywithhisacquaintance,whicharebutfew。Hethatistogovernawholenationmustreadinhimself,notthis,orthatparticularman;butmankind:whichthoughitbehardtodo,harderthantolearnanylanguageorscience;yet,whenIshallhavesetdownmyownreadingorderlyandperspicuously,thepainsleftanotherwillbeonlytoconsiderifhealsofindnotthesameinhimself。

Forthiskindofdoctrineadmittethnootherdemonstration。

CONCERNINGthethoughtsofman,Iwillconsiderthemfirstsingly,andafterwardsintrainordependenceupononeanother。Singly,theyareeveryonearepresentationorappearanceofsomequality,orotheraccidentofabodywithoutus,whichiscommonlycalledanobject。

Whichobjectworkethontheeyes,ears,andotherpartsofman’sbody,andbydiversityofworkingproducethdiversityofappearances。

Theoriginalofthemallisthatwhichwecallsense,(forthereisnoconceptioninaman’smindwhichhathnotatfirst,totallyorbyparts,beenbegottenupontheorgansofsense)。Therestarederivedfromthatoriginal。

Toknowthenaturalcauseofsenseisnotverynecessarytothebusinessnowinhand;andIhaveelsewherewrittenofthesameatlarge。Nevertheless,tofilleachpartofmypresentmethod,Iwillbrieflydeliverthesameinthisplace。

Thecauseofsenseistheexternalbody,orobject,whichpresseththeorganpropertoeachsense,eitherimmediately,asinthetasteandtouch;ormediately,asinseeing,hearing,andsmelling:whichpressure,bythemediationofnervesandotherstringsandmembranesofthebody,continuedinwardstothebrainandheart,causeththerearesistance,orcounter-pressure,orendeavourofthehearttodeliveritself:whichendeavour,becauseoutward,seemethtobesomematterwithout。Andthisseeming,orfancy,isthatwhichmencallsense;andconsisteth,astotheeye,inalight,orcolourfigured;

totheear,inasound;tothenostril,inanodour;tothetongueandpalate,inasavour;andtotherestofthebody,inheat,cold,hardness,softness,andsuchotherqualitiesaswediscernbyfeeling。

Allwhichqualitiescalledsensibleareintheobjectthatcauseththembutsomanyseveralmotionsofthematter,bywhichitpressethourorgansdiversely。Neitherinusthatarepressedaretheyanythingelsebutdiversemotions(formotionproducethnothingbutmotion)。

Buttheirappearancetousisfancy,thesamewakingthatdreaming。

Andaspressing,rubbing,orstrikingtheeyemakesusfancyalight,andpressingtheearproducethadin;sodothebodiesalsowesee,orhear,producethesamebytheirstrong,thoughunobservedaction。Forifthosecoloursandsoundswereinthebodiesorobjectsthatcausethem,theycouldnotbeseveredfromthem,asbyglassesandinechoesbyreflectionweseetheyare:whereweknowthethingweseeisinoneplace;theappearance,inanother。Andthoughatsomecertaindistancetherealandveryobjectseeminvestedwiththefancyitbegetsinus;yetstilltheobjectisonething,theimageorfancyisanother。Sothatsenseinallcasesisnothingelsebutoriginalfancycaused(asIhavesaid)bythepressurethatis,bythemotionofexternalthingsuponoureyes,ears,andotherorgans,thereuntoordained。

Butthephilosophyschools,throughalltheuniversitiesofChristendom,groundeduponcertaintextsofAristotle,teachanotherdoctrine;andsay,forthecauseofvision,thatthethingseensendethforthoneverysideavisiblespecies,(inEnglish)avisibleshow,apparition,oraspect,orabeingseen;thereceivingwhereofintotheeyeisseeing。Andforthecauseofhearing,thatthethingheardsendethforthanaudiblespecies,thatis,anaudibleaspect,oraudiblebeingseen;which,enteringattheear,makethhearing。Nay,forthecauseofunderstandingalso,theysaythethingunderstoodsendethforthanintelligiblespecies,thatis,anintelligiblebeingseen;which,comingintotheunderstanding,makesusunderstand。Isaynotthis,asdisapprovingtheuseofuniversities:butbecauseIamtospeakhereafteroftheirofficeinaCommonwealth,Imustletyouseeonalloccasionsbythewaywhatthingswouldbeamendedinthem;amongstwhichthefrequencyofinsignificantspeechisone。

OFIMAGINATION

THATwhenathingliesstill,unlesssomewhatelsestirit,itwillliestillforever,isatruththatnomandoubtsof。Butthatwhenathingisinmotion,itwilleternallybeinmotion,unlesssomewhatelsestayit,thoughthereasonbethesame(namely,thatnothingcanchangeitself),isnotsoeasilyassentedto。Formenmeasure,notonlyothermen,butallotherthings,bythemselves:

andbecausetheyfindthemselvessubjectaftermotiontopainandlassitude,thinkeverythingelsegrowswearyofmotion,andseeksreposeofitsownaccord;littleconsideringwhetheritbenotsomeothermotionwhereinthatdesireofresttheyfindinthemselvesconsisteth。Fromhenceitisthattheschoolssay,heavybodiesfalldownwardsoutofanappetitetorest,andtoconservetheirnatureinthatplacewhichismostproperforthem;ascribingappetite,andknowledgeofwhatisgoodfortheirconservation(whichismorethanmanhas),tothingsinanimate,absurdly。

Whenabodyisonceinmotion,itmoveth(unlesssomethingelsehinderit)eternally;andwhatsoeverhindrethit,cannotinaninstant,butintime,andbydegrees,quiteextinguishit:andasweseeinthewater,thoughthewindcease,thewavesgivenotoverrollingforalongtimeafter;soalsoithappenethinthatmotionwhichismadeintheinternalpartsofaman,then,whenhesees,dreams,etc。Foraftertheobjectisremoved,ortheeyeshut,westillretainanimageofthethingseen,thoughmoreobscurethanwhenweseeit。AndthisisittheLatinscallimagination,fromtheimagemadeinseeing,andapplythesame,thoughimproperly,toalltheothersenses。ButtheGreekscallitfancy,whichsignifiesappearance,andisaspropertoonesenseastoanother。

Imagination,therefore,isnothingbutdecayingsense;andisfoundinmenandmanyotherlivingcreatures,aswellsleepingaswaking。

Thedecayofsenseinmenwakingisnotthedecayofthemotionmadeinsense,butanobscuringofit,insuchmannerasthelightofthesunobscureththelightofthestars;whichstarsdonolessexercisetheirvirtuebywhichtheyarevisibleinthedaythaninthenight。Butbecauseamongstmanystrokeswhichoureyes,ears,andotherorgansreceivefromexternalbodies,thepredominantonlyissensible;thereforethelightofthesunbeingpredominant,wearenotaffectedwiththeactionofthestars。Andanyobjectbeingremovedfromoureyes,thoughtheimpressionitmadeinusremain,yetotherobjectsmorepresentsucceeding,andworkingonus,theimaginationofthepastisobscuredandmadeweak,asthevoiceofamanisinthenoiseoftheday。Fromwhenceitfolloweththatthelongerthetimeis,afterthesightorsenseofanyobject,theweakeristheimagination。Forthecontinualchangeofman’sbodydestroysintimethepartswhichinsenseweremoved:sothatdistanceoftime,andofplace,hathoneandthesameeffectinus。Forasatagreatdistanceofplacethatwhichwelookatappearsdim,andwithoutdistinctionofthesmallerparts,andasvoicesgrowweakandinarticulate:soalsoaftergreatdistanceoftimeourimaginationofthepastisweak;andwelose,forexample,ofcitieswehaveseen,manyparticularstreets;andofactions,manyparticularcircumstances。Thisdecayingsense,whenwewouldexpressthethingitself(Imeanfancyitself),wecallimagination,asIsaidbefore。

Butwhenwewouldexpressthedecay,andsignifythatthesenseisfading,old,andpast,itiscalledmemory。Sothatimaginationandmemoryarebutonething,whichfordiverseconsiderationshathdiversenames。

Muchmemory,ormemoryofmanythings,iscalledexperience。

Again,imaginationbeingonlyofthosethingswhichhavebeenformerlyperceivedbysense,eitherallatonce,orbypartsatseveraltimes;theformer(whichistheimaginingthewholeobject,asitwaspresentedtothesense)issimpleimagination,aswhenoneimaginethaman,orhorse,whichhehathseenbefore。Theotheriscompounded,whenfromthesightofamanatonetime,andofahorseatanother,weconceiveinourmindacentaur。Sowhenamancompoundeththeimageofhisownpersonwiththeimageoftheactionsofanotherman,aswhenamanimagineshimselfaHerculesoranAlexander(whichhappenethoftentothemthataremuchtakenwithreadingofromances),itisacompoundimagination,andproperlybutafictionofthemind。Therebealsootherimaginationsthatriseinmen,thoughwaking,fromthegreatimpressionmadeinsense:asfromgazinguponthesun,theimpressionleavesanimageofthesunbeforeoureyesalongtimeafter;andfrombeinglongandvehementlyattentupongeometricalfigures,amanshallinthedark,thoughawake,havetheimagesoflinesandanglesbeforehiseyes;

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